The Octopus Project’s latest LP, Fever Forms is a boisterous, poppy change of pace from 2010’s thematically darker and more progressive-sounding Hexadecagon...
"What frequency are you getting?
Is it noise or sweet, sweet music?
On what frequency will liberation be?
On what frequency?!
On what frequency?!"
- ...
Halaska’s Mayantology is a complex, shape-shifter of an album that defies expectations as much as categorization. As a follow up to 2012’s Los Angeles, Texa...
There is a very distinct chance that Pswingset’s new track "Traceroute" may become my favorite new song of the year. Within seconds of hitting play the simp...
“I can’t keep up
Can’t keep up
Can’t keep up
Out of step with the world”
- Minor Threat, Out of Step
A while ago Carter asked me if I had any ideas f...
On A Date With You, Grape St. play a jangly, stripped-down version of reverb-laden rock that I'm actually willing to consider referring to as "garage." Anyo...
Highlighting the “rock” half of their "symphonic rock" sound on this latest record, Mother Falcon have released their tightest and perhaps most accessible a...
The Blistering Speeds
(The Midgetmen are hosting their annual birthday concert tonight at Red 7. It's two stages and features some great local talent. One of t...
With A Dead Man on My Back: Shine Honesty Revisited Quiet Company prove that you can go home again, though you may decide to do some redecorating. I started...
